I’m rewriting the first 3 books of my series

Greetings, folks. There are big things going on with The Swithen series of King Arthur novels, and I thought it’s time to let you know what’s going on. I’ve been happy that some of you are eager for Book 6 to continue the saga—now that Arthur is finally at the beginning of his reign—but there’s been a bit of maintenance that needs to happen before the series can move forward. 

Specifically, I’ve completely rewritten the first book of the series, and am in the process of giving Books 2 and 3 a serious revision. I’ve heard published authors say that they wish they could go back and rework their first novels once they’ve learned more about writing, and I feel lucky to have that opportunity as an indie author. It took me a while to settle into a writing style that works for this series, and now it’s time to rework the first installments to fit.

First, if you’ve been keeping up with the series, there is no need to go back to read the revised novels. Nothing about the story will change if you just continue with Book 6. But if you do, you’ll get a wholly different Book 1 and significantly refocused Books 2 and 3. 

Now, why am I doing this? The main reason is that the early books weren’t always that great—the first one flat-out sucks—and I am grateful that anyone stuck with the series in spite of them. I was basically trying to be Henry James and include serious psychologizing, which I thought would be interesting to explore, especially given the Arthurian characters as they exist are archetypes, light on psychology. But the hard reality is that I’m not Henry James, and just wasn’t up to the task. 

By Book 4 I settled into a style that I think works for the series—one that reveals the psychology through the character’s actions—and now find the first books gunked up with reams of dreary character explanations. Not really enlightening, but sloggy telling when I should have kept the explaining light and let the reader imagine what each character is thinking. I arrived at a more fleet style by Book 4 and take it as a sign of success that readers are starting to say Books 4 and 5 fly by, and they are later surprised how long they are because the reading went so smoothly.

The other fact is that the beginning of a series—especially the first book—has to be great, flat-out great, and I didn’t feel readers were continuing after the first one, and many more dropped off after the dreary slog of number three. With twenty-five books planned in the whole series—that’s an issue! Now we’ll talk about specific novels and what changes you can expect.

Book 1
The truth is, I’ve never been happy with the first book. I’ve actually already revised it three times without making much of a deal about it. I also had a concept; that we would start with this very quiet, intimate novel that is not at all what you expect from Arthurian fiction, then slip into the story from this unusual angle. Not sure it worked, and then crashing into the second novel caused, as my friend succinctly put it, a bit of “Huh? What? Where?” And, as we noted, the first book of a series has to be absolutely great.

The revelation came when my partner, out of the blue, bought me early Arthurian texts by Wace and Layamon as a birthday present (good partner, right?), which contained the story of Vortigern from the beginning. The primary source I had been using before was the Vulgate Cycle, which, just like my current novels, summarizes Vortigern’s story after the story of Merlin’s birth. Wace and Layamon lets Vortigern’s story unfold, and I realized that his story, along with Merlin’s birth, is actually the beginning of the entire saga. 

So what is actually different about Book 1? The biggest change is that it is no longer just the story of Merlin’s mother, it now alternates between her and Vortigern. So we get a new character in Vortigern, whom I found very fun to write because he’s just so gosh-darn evil! And the story continues into Book 2 much more smoothly; we now see the Saxons arrive, we meet Uther, Pendragon and Ulfius as boys and see them go into hiding, we meet Hengist and Rowena and we have kings, knights and battles, so it all continues seamlessly into Book 2. We also get a whole new character in Vortigern’s son Vortimer, so while we see Meylinde be a very good mom, we also see Vortigern be a very, very bad dad.

Another change is that we have to bid adieu to Meylinde and say hello to Adhan. I invented the name Meylinde since I thought Merlin’s mother was never named in the sources, but it turns out she does have a name in some very obscure source. So, according to my own rules, I am now bound to use that name, whether I like it or not—and I did not like it. But I softened once I learned how it is pronounced: Ah-DAAN, not AD-Han, and as I beefed up her character I am now fully behind her enhanced incarnation. I also took the opportunity to let us get to know her family, enhance her relationship with her sister and the midwives, as well as round out Norris, the judge on whom her fate depends. 

Having read through the first new draft, I’m pretty excited and feel the book makes a much stronger entry to the series. It moves quickly and now, courtesy of Vortigern, has a lot of treachery, murder and intrigue. Now I’m much more confident readers will want to continue directly into Book 2.

Book 2
Since the beginning of Vortigern’s story is in Book 1, I was required to modify the first part of Book 2, since Vortigern’s entire story was contained there in the past. The outline is still mostly the same, but now Vortigern is much richer as a character, bringing his entire history from Book 1. I was going to stop there and only provide a cosmetic retouch to the rest of the book, but you know how a can of worms is once you open it….

The fact is I always thought Pendragon and Uther were both a bit weak as characters. We just don’t ever really get to know or understand them. And this is Pendragon’s big moment—he doesn’t appear in any of the other novels. So, what is his story? What does it mean? This is where this series forces me to do some intense literary study of the source legends, as I have to really read and think about what Pendragon is doing there and his meaning as a character. This is also the first part of the Uther story (Ulfius, too), so I wanted to firm up who these characters are at this point and what their lives mean to the overall saga. Since Uther becomes the main character of Book 3, I really want us to get to know him here before his mettle is tested there. 

Book 3
I’ve never, ever been happy with Book 3. And from the start, readers were unhappy as well. No one says so, but I had the feeling a lot of people were giving up on the series after Book 3. Which is a problem! 

My big disappointment is that I wanted Book 3 to be very emotional, but readers’ comments about it were coming back very cool. One thing I kept hearing is that Uther was a self-centered, whiny loser and just keeps droning on and on about the same little problems. That, I had to face, was largely due to my ham-handed attempts to be Henry James. The story at this point is devastating for everyone involved, but readers were not devastated—they were irritated. 

I haven’t gotten to this one yet (I’m in the final section of Book 2), but I plan to eviscerate all the whining and give it the new approach, where I stick to what the characters are doing and saying and let the reader fill in the thoughts and emotions.  

I’m hoping this approach will help readers connect to the emotions of this book. The stories of Uther, Igraine, Ulfius, Morgan and Margause are all devastating in this book, and if that isn’t coming through, then I need to fix it. One of the things I was also excited about here is to introduce what we would recognize as a major depression into the Arthurian saga, as well as detail a character driven to absolute despair when confronted with the existential questions Merlin’s intrusion into his life raises… and none of it was coming through. So I am eager to give this one a good scrub and hope that the many crosscurrents come through more smoothly this time. You could say that the whole saga unwinds from the events in this book, so I want to be sure it is right.

So that’s it. I’ve been busy typing away and realized I hadn’t reached out in a while… that’s what’s going on in the world of The Swithen. My joke to myself is: “A new beginning… No really, the whole beginning is new.” The revised books should be out (all three at once) probably early in the new year. Then I’ll get right into Book 6 and we’ll dive into the first years of Arthur’s reign! Thanks for reading and all comments are welcome. Bye for now!

Book 5 less than a week away!

Greetings readers! Well, the final manuscript has been delivered and we are less than a week away from the release of the 5thnovel in the Swithen series! That’s right, the series that is telling the actual Medieval Arthurian legend (no giant elephants!) and is taking twenty-five whole novels to do it. Now, you ask as you fold your arms and squint skeptically out of the side of your eye, why should you care about this particular book?

Arthur goes from boy to king. When we left our future King Arthur, he was a very naïve 14-year-old boy from the country. By the end of this novel, we have to believe that he is ready to step into the role of king, lead armies, and everything like that. This was quite a challenge for me as a writer, but I have to say I am quite confident that by the end of this book we will believe that Arthur has taken his first steps toward becoming the king we know and love.

Merlin gets an (ideological) whupping. Readers of my series notice right away that my Merlin is far from perfect and is still learning. There have been hints in the first four novels that Merlin has been missing one key little insight, and in this book, he finds out what that is, and it’s going to change his worldview forever. 

The Lady of the Lake takes the stage. Said whupping comes courtesy of Viviane, the Lady of the Lake, who has also appeared in little cameos through the four preceding books. Here she has a major role, gets a lot of great lines and is just generally awesome.

Morgan Le Fay begins her reign of evil. We know Merlin ruined Morgan’s life to create Arthur. Well, in the meantime she’s become a powerful sorceress, and in this book she finds out who that little boy her mother was tricked into bearing (hint: it’s Arthur) and she sets a plot in motion to bring that sucker down.

Knights, knights, and sword fights. Books 4 and 5 are 95% original and made up by me, since there is no material in the legend about this period. In Book 6 we’ll swing back to the legend, so I wanted to take the opportunity here to explore the role of the knights, their mind-set and the values that they uphold. There is also more action in this book than any so far (but not as much as will be in Book 6!) with a few sword fights, sieges, kidnappings, etc.

Awesome knight Ulfius! If you’ve read this series, you’re familiar with Ulfius, kick-ass knight and all-round awesome (if somewhat evil) dude. He was best friend to Uther, Arthur’s father, and in this book he becomes a mentor and friend to Arthur, as well as getting a lot of focus and great lines. 

World-building gone wild! We get one whole section in the city of Logres (aka London), then Caerleon’s famous Roman fortress, and finally the action shifts to Gaul (aka France). Along the way the stories of a lot of characters who will have major roles in the Arthurian legend to come begin to intertwine here.

That is just a hint of the splendiferous elements one can look forward to in The Swithen Book 5: Wonderly Wroth, and guess what? The ebook is only $1 if you order before it is released on Saturday Jan. 15. Shocking? Unbelievable? Yes, I know, but true all the same. I hope you like it.

Merlin Character Analysis

Greetings fine folks… I just put up a character analysis of Merlin on the website, and you should go read it right now if you want to stay up to date on the blistering, change-on-a-dime world of Medieval literature interpretation. It’s a harsh realm!

Basically I thought an interesting thing to do would be to devote a page to each character in the Arthurian legend and in my series of novels, taking a deep dive into who they are. It turned out to settle into a form; discussing who this character is and how they are portrayed in the Middle English source literature, then how I took that—since my series is committed to staying true to the pre-1485 legend of King Arthur—and interpreted it the way I did in the novels.

And who better to start with than Merlin? The main source I use, from around the year 1215, has Merlin do and say a lot of things without ever explaining what he’s thinking or what he means. This, then, offers me an open canvas to interpret what he might mean and how it might affect the other characters—and that’s a lot of what we discuss in the piece. Why the Merlin of my novels is the way he is.

Most readers of my series notice right away that my Merlin is not the kindly old warm and wonderful wizard we’re used to, and is kind of a ruthless bastard. They also notice that he is far from perfect, and still learning as he fumbles his way… changing the course of Britain in the process! All of this is discussed.

So get on over there and dig into the Merlin analyzing action at the Merlin: Character Analysis. 

A boy king? Impossible! Excerpt from Book 5

Greetings folks, I just put up an excerpt from The Swithen Book 5: Wonderly Wroth, which will be released in January. This book covers the period between when Arthur first pulls the sword and when he is finally made king, during which time he is put into training with the knights that served his parents. In this scene, he has to pull the sword for King Lot and the other reigning kings of the day (like the wonderfully-named King with the Hundred Knights) only to find they aren’t too keen on handing control of the country over to a fourteen-year-old boy!

If you’re just coming in, my series The Swithen tells the REAL Arthurian legend from pre-1485 with the rule that I am not allowed to change anything from the story as it appears in the legends.

I’d love to tell you more–but I’m super busy today! Anyway, you take a break and get on over to check out the excerpt from Wonderly Wroth. Thanks and be well!

The Swithen Book 5: Wonderly Wroth ready for pre-order!

Greetings folks! I hope you are well and my, I must say you look smashing today.

I am delighted to announce that the fifth book of my Arthurian series, The Swithen, is finally approaching being finished, and is now available for pre-order! I’m delighted because this one took a bit longer for me, almost two years, and was definitely a challenge to keep focused on during the pandemic. 

If you don’t know, The Swithen is my interpretation of the REAL King Arthur saga (i.e. not the movie version) and the promise of my series is that I cannot change anything from the medieval Arthurian legend as written 1136-1485. I plan twenty-five novels to tell the full Arthurian saga in all the scope and majesty it deserves, and with this novel, we’re one-fifth of the way there! I’m also happy about that… five novels in!

Now, there’s not much in the Middle English sources about this period of Arthur’s life, so, like Book 4, this one is 95% original (but it has to slot seamlessly into the real legend). It was inspired by one paragraph in Malory’s Le Morte D’Arthur that says while Arthur was being made to pull the sword again and again—while the rulers of the country made sure there wasn’t anyone older—he was put into training with the knights that served his real father, King Uther Pendragon. The thought of Arthur hanging out with and getting to know the knight characters I love from previous books was just too much to pass up, so I decided that we had to have a novel that fills in this time.

Anyone who’s read my books knows that I love the character of Ulfius, who was Uther’s main knight and best friend. Ulfius had a huge part in Book 3, and we get a lot more Ulfius fun here. Arthur is also being trained by the foremost knight of his biological mother Igraine, that knight being Bretel.

The main thrust of the story is that on the knight Arthur was conceived through magic and trickery (all depicted in Book 3: The Void Place), while Merlin made Uther look like Igraine’s husband, he also made Ulfius look like Bretel. His doing so lost Igraine’s trust in Bretel forever… so when Bretel finds out that it was his good friend Ulfius that was responsible for all this, he becomes murderously furious—or Wonderly Wroth,which is the reason behind the title.

There’s also a big separate thread in which Viviane, the Lady of the Lake, lets Merlin know that he’s not the only supernatural power in the realm. We have some fun deviousness with Morgan Le Fay plotting Arthur’s destruction. And King Lot is not about to let a teenage boy become king—not without a good war (that’ll be Book 6). A number of other familiar Arthurian characters begin to weave their stories, which will play out over the next twenty novels.

Which is also part of the excitement of this book for me… the first three books laid down the stories leading up to Arthur’s birth (events which loom large over his story… the past is very much present in this series). But now Arthur is with us, and the main thrust of the story is underway. From Book 4 onward, we begin constructing a vast interconnected society of characters and their densely-woven storylines, all of which will play out over the course of a massive fantasy saga unlike any other—and guess what? No making it up as we go along. The ending is planned now, all twenty-five books are planned out now. And BTW, this story has endured for almost a thousand years. But it has never been told in such detail and clarity, making the themes and interconnections clear for modern readers.

So if you like, get on over and pre-order The Swithen Book Five: Wonderly Wroth. It’ll be only $0.99 until it is released, at which point it will increase in price. 

Thanks for reading! Now to get started on Book 6…